The Rose's Grove

Actors, octopuses, and nonsense

7,414 notes

You’re born with a ton of fucks to give, so you spend them like a kid with a credit card. You give fucks about your friends, about your grades, about your fashion sense, about strangers’ opinions. You give way too many fucks about way too many things. You have so many. Then, as you get older, you have maybe 10 fucks per month, so you learn to budget them. You allocate fucks to family and career, but there aren’t enough fucks to give to the newest fads. Oh, someone at work has something they need my help with that’s outside my job title? I’ll do my best to allocate some fucks, but this month is pretty tight. Then, as you get even older, you’re down to 1-2 fucks per month, and those fucks are pretty damn precious. You give them to your family and your hobbies and your job, and that’s kinda it. It’s not your fault – fucks expire too quickly. I would’ve liked to save my fucks from when I was younger but I can’t. Then, you hit fuck insolvency. You’re getting like 1 fuck a year, and you have to make it last. So you go without, and even previously fuck-worthy things, you just can’t give a fuck. Some people run out really quickly, Some people have a fuck trust fund that pays out a decent amount even into old age. But at some point, the fuck faucet runs completely dry and you’re out of fucks to give. It’s just basic Fuckonomics.

Unknown English Teacher (via memewhore)

How can we start a retirement plan

(via lacostume)

(Source: swarthyvillain, via songscloset)

Filed under accurate

194,797 notes

jaderaderoxursox:

jessgeekz:

darthfar:

elderjulietvictoireholmes:

laconicllama:

zarggg:

env0:

aisleylikeszebras:

To me, this post might be just as important as the bible.

One of my classes. My elderly teacher taught us this because he really cared about books.

Why does no one teach us these things anymore?

I get so uppity when someone breaks the binding on my books.

I’m just a terrible person and the first thing I do with big books is break the binding.

This needs to be reblogged. Just in case this manages to reach someone who might in the future borrow a book of mine, and who might otherwise bring my wrath down upon them by mistreating said book.

remember to smell it too

its like the guide to anal sex but for a book

jaderaderoxursox:

jessgeekz:

darthfar:

elderjulietvictoireholmes:

laconicllama:

zarggg:

env0:

aisleylikeszebras:

To me, this post might be just as important as the bible.

One of my classes. My elderly teacher taught us this because he really cared about books.

Why does no one teach us these things anymore?

I get so uppity when someone breaks the binding on my books.

I’m just a terrible person and the first thing I do with big books is break the binding.

This needs to be reblogged. Just in case this manages to reach someone who might in the future borrow a book of mine, and who might otherwise bring my wrath down upon them by mistreating said book.

remember to smell it too

its like the guide to anal sex but for a book

(via officialgangstermanatee)

Filed under books

633 notes

nprfreshair:

Today actor Ron Perlman (Sons of Anarchy, Hellboy) joins us to talk about his new memoir, Easy Street (The Hard Way).  In the interview he tells us about what it’s like acting under heavy prosthetic makeup:

"You look like you’re doing a lot of stuff because you’re covered, but the makeup is so seamless and so liquid. The more subtle you are, the more expressive you are. Everything you’re doing, even if you’re just thinking something without moving a muscle, it shows through. When I realized how little I had to do in prosthetic makeup and that the makeup was nothing more than an enhancement — an addition, another layer that added to the texture of the character — it was a liberating feeling for me."

nprfreshair:

Today actor Ron Perlman (Sons of Anarchy, Hellboy) joins us to talk about his new memoir, Easy Street (The Hard Way).  In the interview he tells us about what it’s like acting under heavy prosthetic makeup:

"You look like you’re doing a lot of stuff because you’re covered, but the makeup is so seamless and so liquid. The more subtle you are, the more expressive you are. Everything you’re doing, even if you’re just thinking something without moving a muscle, it shows through. When I realized how little I had to do in prosthetic makeup and that the makeup was nothing more than an enhancement — an addition, another layer that added to the texture of the character — it was a liberating feeling for me."

Filed under hellboy can't wait to hear this interview ron perlman